Showing posts with label Starfleet. Show all posts
Showing posts with label Starfleet. Show all posts

Tuesday, October 21, 2014

4-15. Hunters.

Seven meets a Hirogen Alpha (Tiny Ron)
THE PLOT

Voyager receives a garbled message from Starfleet Command, sent using the same alien relay network the crew used to contact them. The bulk of the message was caught in a relay station not far from the ship, so Janeway sets course to retrieve the rest.

As they near the station, Seven of Nine is able to extract more of the transmission. Most of it consists of letters from home. As the messages are delivered, the crew reacts in various ways: Some joyous at contact from loved ones long unseen; some anxious as no letter makes it to them; others horrified as they learn of the devastation caused by the war back home.

Meanwhile, the Hirogen, the alien race who lays claim to the relay network, intercepts the transmission. An Alpha Hirogen (Tiny Ron) moves to intercept Voyager, determined to claim the first kill for himself - and he arrives just in time to capture Seven and Tuvok!


CHARACTERS

Capt. Janeway: Receives a letter from Mark, her fiance... But this long-nurtured dream turns into a nightmare as she realizes that what she's received is a "Dear John" letter. Kate Mulgrew is fantastic in the scene in which Janeway reads the letter, and writer Jeri Taylor wisely refrains from having her read aloud or any similar hamfisted tactic. The camera simply stays on her face, allowing us to see her expression collapse into numb shock as she reads the words in front of her. It's probably a relief to get to play hardball with the Hirogen not much later, and the alien hunters pick a particularly bad day to get on her bad side.

Seven: Clearly regards Janeway as a mentor, even a friend, and her actions throughout the episode show just how important her opinion is to her. She misses needed sleep to retrieve more of the message as they travel to the relay station, responding to the Doctor's irritation at her by stating that "this message is important to the captain." When the transmission is interrupted by unstable Technobabble that can somehow be stabilized by piloting a shuttle closer to the station, Janeway insists Tuvok accompany her. Seven fears this may be due to mistrust, and is visibly relieved when Tuvok tells her that it is Starfleet protocol to send at least two people on an Away Mission.

Tuvok: When Neelix delivers his letter, he insists that he will finish his duties before reading it. "Do you have any reason to believe the contents of the message will change?" he says when Neelix protests. However, once the Talaxian is out of the room, he quickly sets aside his report to read his news from home. He does want that contact from his family - He just wants it to be private, something I can relate to quite well.

Tom: As the crew becomes excited, he tries to pretend that he doesn't care about word from home. "What I have on Voyager is so much better than anything I ever had back there," he tells Torres. He advises an anxious Harry to stop hoping for a letter in order to avoid disappointment... But when he learns that he has received a message from his father, it's clear he cannot follow his own advice. He resists reading his message, too afraid that what will be said will disappoint him all over again. He again shows his genuine feelings for B'Elanna, however, dropping his self-pity the instant she reveals how horrible her own news from home was - That most of her friends in the Maquis are dead at the hands of the Dominion.

Harry: When he doesn't immediately receive a letter, he begins to worry that he's not going to get one - perhaps fearing that he's so irrelevant, that even his own family doesn't miss him. Don't worry, Harry: As Circe Lannister once observed, parents have little choice but to love their children. Still, I suppose if you can admit that you're Harry Kim, then acknowledging the problem may be the first step toward recovery.

Hirogen: With two appearances in as many episodes, it's clear that the Hirogen are being set up as a new recurring menace to the crew. Unfortunately, there is little so far that's encouraging. They are driven by a desire to hunt prey, and they crave challenging prey... Which makes them basically the Predator if it was able to speak. Come to think of it, having them be so chatty may be a mistake, since it completely drains any sense of threat, particularly when they behave as relentlessly stupidly as they do in this episode. Janeway defeats the Hirogen here by... Well, by letting them literally kill themselves by shooting at the only thing keeping their ships from being sucked into a black hole. I'd call them the Kazon with better makeup, only I don't think the Kazon ever did anything quite as purely idiotic as that.


THOUGHTS

I have to give Voyager points here. Message in a Bottle introduced a new situation, with Starfleet now aware that Voyager had survived and was in the Delta Quadrant. It was a situation that genuinely demanded follow up... But I did not expect it to come in the very next episode.

Hunters builds its entire narrative around the elements introduced in the previous episode: contact with Starfleet; the alien relay network; the belligerent Hirogen. All three elements are used, and used in a way that keeps Hunters as a unified episode. More than that - Jeri Taylor's script helps resolve my chief complaint about Message in a Bottle, showing the sense of significance to the crew that was previously missing.  In short, this episode makes its predecessor a better episode by its presence.

Though the Hirogen end up being unimpressive in their first proper outing, the focus here is really on the characters - And the character material works well, because it convinces. Chakotay and B'Elanna learn of the destruction of the Maquis, and B'Elanna reacts first by wanting to take a revenge that would be impossible even if she wasn't ridiculously far from home, then by focusing on giving good news to Tom and Harry. Jokes about Harry aside, the reactions of both him and Tom feel right for their characters, and Tuvok's desire to read his news privately feels absolutely correct for him. There's even a nice interaction between Janeway and Seven, when Janeway reminds her that she likely has family back home that she hasn't met yet, making all this more relevant for the former Borg than she wants to believe.

Thanks to the strong character focus, this episode ends up being a good one.  If the Hirogen felt like more of a true threat, it would be among the season's better offerings - but even as it stands, I found this episode very enjoyable.


Overall Rating: 7/10.

Previous Episode: Message in a Bottle
Next Episode: Prey


Search Amazon.com for Star Trek: Voyager

Review Index

To receive new review updates, follow me:

On Twitter:

On Threads:

Sunday, August 14, 2011

2-05. Non Sequitur.

Harry gets a surprising wake-up.


THE PLOT

Harry Kim awakens to find himself in San Francisco, with his fiancee, Libby (Jennifer Gatti), and a steadily advancing Starfleet career. It is not a dream: It's too vivid, everything is too solid. It's also not the past. It's the present. A present in which Harry Kim was not assigned to Voyager, and was therefore able to continue in his Earth-bound life. It's not some alien projection or hallucination. Reality itself has changed, and in Harry's favor.

But Harry can't help but look the gift horse in the mouth. Told that his best friend had taken his place on Voyager, Harry finds himself compelled to search the crew manifest. Finding that Tom Paris also never made it onto Voyager in this timeline, he can't help but visit Tom. The combination of accessing restricted files and visiting a Maquis convict brings Harry to the attention of Starfleet authorities, and Harry soon finds himself suspected of being a Maquis spy.

Now the only way left to secure a future that doesn't involve prison is to find a way back to his own reality - a slim hope, unless he can convince the bitter, dissipated Tom to help him!


CHARACTERS

Capt. Janeway: Comes up with some Technobabble to boost the transporter's signal in order to attempt beaming Harry out of the anomaly. Otherwise largely absent, though her effect on Tom is evident when the alternate Tom tells Harry that Janeway's offer was a lot more attractive than the life he faced without the Voyager mission. We also learn that after Tom got into trouble on Deep Space 9 in this alternate timeline, Janeway did attempt to secure his release. Even at that early point, she had enough loyalty to him as a member of her crew that she didn't just fly off without him, even though doing so would have been fully justified.

Harry Kim: Writer Brannon Braga turns the spotlight on Harry... and we get to see that he really is as bland and wooden as he seems! Wang's performance is, frankly, wretched. Wooden as oak, stiff as rigor-mortis personified. If this episode centered on either Tom or Janeway, I have no doubt that it would be compelling stuff. But just by being a Harry Kim episode, it's crippled - and the fault this time lies not with writer Brannon Braga, whose script tries very hard to fill in some of the blanks of Harry's character. No, this time the fault lies squarely with Garrett Wang, who is given a real chance to shine - but who just plain isn't up to the challenge.

Tom Paris: Robert Duncan McNeill has some fun playing the disipated Tom Paris of this alternate timeline. Tom has continued on the path set for him before Janeway made her offer, and he's much farther gone than he was at the start of Caretaker. When we first see him - much too late into the episode - he's drunken and embittered, but there's still a spark of something that makes him listen to Harry's story about an alternate reality. Though he shuts down once Harry mentions taking him back to Starfleet, suspecting some sort of trap, he is intrigued enough that he obviously asks some questions of some of his remaining friends, enabling him to help Harry at the crucial moment.


THOUGHTS

A Harry-centric episode. Given Harry's general blandness, along with the quality of the last Harry episode, I couldn't help but brace for the worst.

The good news is, Non Sequitur isn't half-bad. It's well-produced and nicely helmed by director David Livingston.  It's rather a relief to get footage that is actually outside for a change! There are some good scenes and entertaining moments, and the entire first Act - in which we are just as confused as Harry as to what is going on here - is just extremely well-done.

The bad news is, the episode never really manages to build on that. Harry's character remains as flat and dull as ever. Jennifer Gatti, as Harry's fiancee, is even more wooden than Garrett Wang - which in a way makes them the perfect couple, but certainly doesn't make them a very watchable or interesting pair on screen. Their scenes together drag the episode to a screeching halt, and it takes a very long time for the story to build up any momentum at all.

The story does manage to spark some interest in the late going, once Tom Paris enters the action. Robert Duncan McNeill has shown that he can do well when given good material, and Paris' scenes provide some quite good material - yet another reason why I wish this had been Tom's episode, as Tom's alternate timeline is far more interesting than Harry's.  But Tom doesn't really enter into the episode until well past the halfway mark, meaning that there is a lot of relatively dull material to get through before things start taking off.

Passable without ever really living up to its potential, the best that I can say for Non Sequitur is that it's well-made. But with a weak central actor leaving a void at the heart of the episode, there's nothing terribly compelling on a character level. I didn't have a bad time watching this story. But I never cared about the story, or about Harry, which leaves this another weak episode of a thus-far very disappointing second season.


Overall Rating: 5/10.

Previous Episode: Elogium
Next Episode: Twisted

Search Amazon.com for Star Trek: Voyager

To receive new review updates, follow me:

On BlueSky:

On Threads: