Showing posts with label Jonathan Frakes. Show all posts
Showing posts with label Jonathan Frakes. Show all posts

Thursday, February 9, 2012

2-18. Death Wish.

The Immortality Trap: Q vs. Q

THE PLOT

While analyzing an unusual comet, Janeway orders a piece beamed onto the ship for analysis. What beams aboard, however, is a man: More accurately, a Q (Gerrit Graham), who has been imprisoned within that comet for centuries. He was confined by the Q Continuum after repeated attempts to end his own existence.

When our Q (John de Lancie) appears to return him to his imprisonment, the man requests asylum from Janeway. The captain agrees to hold a hearing, and Q agrees to go along. After all, it might be amusing. Each member of the Continuum grants the other a concession. If Janeway rules in Q's favor, then the prisoner will agree to be returned to captivity for all eternity. If the prisoner wins, however, then Q will make him mortal - at which point, the man will surely kill himself!


CHARACTERS

Capt. Janeway: Her job as judge is made particularly difficult by her personal aversion to suicide. Knowing that the Q prisoner will kill himself if she rules in his favor, she sets the bar for such a ruling that much higher. She has compassion for his rights as an individual, but will not be a party to his self-harm unless he can show grievous suffering that isn't simply a result of his own punishment.

Riker: Though his role is little more than a cameo, called as one of Q's "witnesses," Jonathan Frakes is on very good form. By contrast with most of the Voyager regulars, he has an effortless screen presence. He doesn't have to do much (and he doesn't - though he does find time in his one scene to flirt with Janeway).  He simply has to be in the room to provide the audience with a reassuring link to the larger franchise.

Tuvok: He agrees to represent the prisoner Q, and does a good job of it. He effectively shreds our Q's attempt to argue that the asylum-seeker is insane, even prompting Q to do a hilarious, disgusted double face-palm about "Vulcans!" Still, he confesses to his client that he doesn't actually believe in the position he's arguing, seeing "no logic" in a suicide apparently based solely on boredom. Tim Russ gives another exceptional performance. By this point in the show's run, he seems to have struck the right balance to show Vulcan reserve without imitating a robot. Between Meld and this, he's fast becoming one of the most reliable of the core cast.

Q: This episode is basically The Q Show, with two actors in starring roles as members of the Q Continuum. John De Lancie's Q represents the voice of authority for the Continuum. At first, this seems like a script flaw. How can the constantly troublemaking Q possibly be the voice of tradition? Then the script takes a particularly clever turn, by making that the entire point. "I miss the irrepressible Q," the prisoner tells him with sadness, extolling Q's former rebelliousness. It's very obvious from Q's reactions that he can't simply shrug off these words. The scene of life in the Q Continuum is a particular standout, and both De Lancie and Gerrit Graham are particularly good as they argue in front of this dull and barren shack.


THOUGHTS

OK, my one complaint first. Janeway dismisses Q's bribery attempt far too easily. As captain of the ship, she has a direct responsibility for every member of her crew. Here, she doesn't have to violate the Prime Directive to have the ship returned home. She just has to rule with Q and against the prisoner. Yes, that would perhaps be an injustice. But I think an argument can be made that her direct responsibility for the more than 100 lives aboard her ship outweighs her obligation to make a just ruling for an outsider. She should at least consider this offer and what it might mean for her crew, perhaps discussing it with either Chakotay or Tuvok. It should weigh on her when she makes her final decision, rather than being shrugged off in an instant.

That aside, Death Wish is an excellent episode, one of the best Q episodes of the entire franchise. It starts out seeming like a typical Q comedy episode, complete with a very amusing set piece as the prisoner Q tries to hide Voyager from our Q by taking the ship to the Big Bang, then to the inside of a living cell, before finally transforming the ship into a Christmas tree ornament. Once the courtroom section begins, we get a bit with Q duplicating himself so that he can question (and compliment) himself on the stand. It's all good fun, but also fairly typical material for Q.

Then, at Tuvok's urging, the prisoner Q shows us the Continuum itself. Here the entire episode falls into place in a way that's rather breathtaking to watch. Not only do we see the prisoner's argument, but we also see its impact on our Q. This story is about him as much as about Gerrit Graham's prisoner/philosopher, and de Lancie is wonderful as he reacts nonverbally to the other man's words. The tag is terrific, hammering home that Janeway's decision has implications. Not only will we see Q again, we are promised a Q who will be changed by this experience. By making the episode have an impact on him (as well as on Janeway), it brings that impact home to us.

It's almost against my better judgment to award full marks to an episode that is almost entirely about the two Q characters. It's notable that none of the regulars save for Janeway and Tuvok register as anything more than glorified extras. But if I put that aside and judge it simply as a "Q" episode, it's hard to imagine it being much better. Like the Q in the episode, I've seen and reviewed so much Star Trek at this point (more than 400 episodes as of this writing) that it's become increasingly rare for an episode to actually surprise me. Michael Piller's script here takes the very things I was mentally criticizing, such as Q acting as the Voice of the Establishment, and then turns them into assets. In the process, what was on track to be an entertainingly average episode is transformed into something truly special.

Full marks - but I hope that Voyager will at some point deliver a "10" that's actually about the Voyager characters. If they can write this well for Q, they ought to be able to do something equally noteworthy with the people who are on the ship every week.


Overall Rating: 10/10.

Previous Episode: Dreadnought
Next Episode: Lifesigns


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Sunday, November 27, 2011

2-13. Prototype.

Torres is taken prisoner.  Again.

THE PLOT

Voyager detects a damaged robot floating in space and beams it aboard for study. Tuvok advises allowing the machine to power down completely, to examine it while inert. B'Elanna, however, wants to restore the robot to full function. She convinces Janeway that they will learn much more from it while functioning than simply by sifting through the wreckage, and then painstakingly goes about making it work.

She is elated when her repairs succeed and the robot speaks, identifying itself as Unit 3947. It was separated from its ship, staffed entirely by robots, when it was damaged. Voyager sets course for 3947's ship. Then the robot makes a request - for B'Elanna to build a prototype power unit to allow them to reproduce themselves. When Janeway refuses to grant permission, 3947 abducts B'Elanna and forces her to do so anyway. If she refuses, the more advanced robot ship will destroy Voyager!


CHARACTERS

Capt. Janeway: Retains a loyalty to the Prime Directive that borders on religious dogma. Her refusal to allow Torres to build the prototype would make sense, if it was based on their lack of knowledge about the robots' society. Instead, she bases her refusal purely on the Prime Directive, her wisdom including such nuggets as, "Instinction is often the natural end of evolution." I'd much rather her refusal be based on intelligent caution than on dogma. At least she shows admirable compassion toward Torres at the episode's end - a much more likable side of the captain's character, one that the show would be advised to give more focus.

Chakotay: Makes a disparaging remark about Paris' plan to use a shuttle to rescue Torres, snarking that he'd "hate to lose another shuttle." Surely Chakotay is the last person who should be making such a remark. I'm surprised Paris didn't come back with a reminder that shuttles only tend to be lost when Mr. Facial Tattoo is the one flying them.

Torres: A Torres-centric episode, always a good thing. This time, the focus is not on her Klingon/human heritage, but on her engineering skills. Torres is instantly intrigued by the damaged robot, to the point that the challenge of repairing it becomes an obsession for her. When she has succeeded, she treats 3947 as an almost human friend. She shows compassion, and champions its request for a prototype to allow reproduction. Even after she is captured, her obsession at overcoming the challenge posed by the prototype is all-consuming, and her joy when she succeeds in creating it is absolute. Which makes it all the more devastating for her when she realizes the true (all too predictable) reason why there are no more "Builders" for this robot species.

Tuvok: Is sensibly cautious about 3947. His impulse is to let it power down so it can be examined safely, then reactivate it if they choose. Torres objects and Janeway sides with her - but then, Janeway also has a science background, one which leaves her tending to choose exploration of the unknown over security. From Tuvok's standpoint, his advice is sound (and, if followed, would have saved the crew a lot of trouble).


THOUGHTS

Jonathan Frakes directs, which gives this episode a highly polished sheen. We get some effectively moody lighting and some pretty good set design in the robots' workshop. Shot selection emphasizes depth, with many scenes played out with objects or items in the foreground and background of the characters, which keeps the episode visually interesting. As ever, Frakes also gets the most from the actors. What can you say when even Harry Kim and Neelix come across as likable in some early scenes?

Prototype is very well-made and well-presented. It moves along at a quick pace and treats the character of Torres in a thoughtful way. It's good to have a Torres episode that showcases her as a thoughful, compassionate, intelligent officer, rather than simply focusing on her mixed heritage.

All of these make this a pretty good episode. But it's yet another Voyager episode that falls short of being anything more than "pretty good," because the script is just so predictable. Honestly, is there anyone over the age of about 16 who didn't guess why the Builders were extinct? Did anyone doubt that B'Elanna would succeed in creating the prototype, or what she would do when she discovered the full truth? All the story beats are easy to see coming, and that is something that quickly smothers the episode's potential.

Still a decent show, thanks to polished direction and some decent character work. But it would be nice to see Voyager manage a good, well-made character episode that also delivers a strong story.


Overall Rating: 6/10.



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Sunday, August 28, 2011

2-07. Parturition.

Neelix and Tom must work out their differences.

THE PLOT

As the friendship between Kes and Tom continues, Neelix grows ever more jealous. And his jealousy isn't baseless. Tom admits to Harry that he has feelings for Kes. He resolves to do nothing to act on them - but Neelix forces the issue, provoking Tom into a food fight.

Meanwhile, Voyager encounters an "M" class planet that reads as protein rich, despite the lack of apparent vegetation. There is interference which disrupts the transporters (*drink*), so a shuttle must be sent to search for and harvest food stores. Of course, the only two people to send on such a mission are... (drumroll) Ts and Neelix!


CHARACTERS

Capt. Janeway: Takes in the aftermath of Neelix's and Paris' food fight impassively, and accepts Paris' non-explanation. She briefs them on their mission. When Neelix interjects that there is a personal issue between him and Paris, she channels Sisko in her two-word reply: "Solve it."

Tom Paris: Finally admits that he has feelings for Kes, something that's become increasingly obvious in any case. He reacts by trying to avoid her.  This only makes Neelix more jealous, prompting a food fight. Yes, a food fight. At least the visual of Neelix and Tom, with pasta sticking to them while standing in front of Janeway, is amusing. Despite Tom's good conduct aboard Voyager, members of the crew do speak about his past.  It seems likely that both the Starfleet and Maquis crew members think of him as someone not to be trusted. Tom admits to Neelix that these whispers are true, but adds that he sees this trip to the Delta Quadrant as a "second chance" for him and is determined not to repeat his old mistakes.

Neelix: More Neelix jealousy. Oh, joy. At least this episode looks likely to be the end of it, though I'm ly stymied as to why Kes would have tolerated it this long, Ocampan value of mating for life or no. It does seem clear that at least part of Neelix's jealousy is simple insecurity. One of the first things he snaps at Tom when they're alone in the cave is that Tom thinks he's "not worthy of a woman like Kes" - which seems to be him baldly projecting his own insecurity. Neelix is more tolerable when he bonds with the alien muppet baby, as a genuine paternal instinct comes out at this point. Still, his good spirits in the final scene seems extremely forced.

Kes: Another good performance from Jennifer Lien, who strikes the right note of innocence when the doctor bluntly points out that Neelix's jealousy of Tom isn't as baseless as she'd like to believe. Lien does a fine job of showing Kes' mix of guilt and anger, as she worries about both Neelix and Tom on the planet. Her scene with Harry is excellent, as she jumps seamlessly from one emotion to the next. I'll try very hard to save further grumbling on this point until Season Four, but... in a show with Neelix, Chakotay, and Harry Kim, how was Kes - a character who has worked almost since Day One - the character chosen to get the axe?

Harry Kim: "There's an old Chinese saying: 'Stay out of harm's way.' ...If it works, use it." *Groan.* So now we know. The one thing worse than a bland Harry Kim is a Harry attempting to be jovial. Garrett Wang's wooden delivery doesn't help, but the line is awful enough that I don't think even a good delivery would have sold it. Wang is even worse in the scene with Kes, his wooden line readings contrasting starkly with Lien's authentic emotion.


THOUGHTS

The running Neelix/Tom/Kes triangle comes to a head... Oh, joy.

Parturition isn't actually as bad as an episode centering on Neelix's interminable jealousy ought to be. Credit is due to director Jonathan Frakes, who helms with his usual confidence and allows enough breathing space for some decent character work. Credit also to Robert Duncan McNeill and Ethan Phillips. One of the most irritating things about Neelix is that the actor playing him could do so much more, if only the writers would lay back a bit instead of always forcing the character to go over the top.

But while the episode has some amusing moments, and is certainly better than Twisted, it still feels lacking. The story progression is painfully predictable, and there are no unexpected turns in either character or plot to liven things up. It's amiable enough - a word which describes a lot of mediocre Voyager - but it ultimately feels very hollow. We've seen all of these plot elements before. The directing and the acting may be good (well, except for Garrett Wang), but just because it's moderately well-executed hokum, it doesn't provide any compelling reason to watch it.

Honestly, after so many middling episodes, it's only a couple of appealing characters and general stubbornness that's keeping me watching Voyager. This is a series that could easily be so much more than it is, but consistently contents itself with mediocrity.


Overall Rating: 5/10.

Previous Episode: Twisted
Next Episode: Persistence of Vision


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Sunday, July 24, 2011

2-03. Projections.

Barclay (Dwight Schultz) urges the doctor to destroy Voyager!


THE PLOT

The holographic doctor is activated, only to find himself apparently alone on the ship. The computer informs him that the ship came under attack by the Kazon. With a warp core breach imminent, Capt. Janeway ordered a complete evacuation.

As the doctor prepares to shut down his program, convinced that with the ship abandoned there is no further need for him, B'Elanna comes into the sickbay. She tells him that the ship's sensors were damaged, which is why the computer isn't detecting any life signs. She, Janeway, and a handful of others remained on board to contain the warp core breach. Now Janeway is injured, and her only hope lies with some experimental technology that will allow the doctor to project himself to other parts of the ship.

The projection technology works. The doctor is able to help Janeway, then is able to project himself to the mess hall to save Neelix from a Kazon warrior. But then something strange happens. The doctor, a hologram... bleeds. And feels pain. Then a stranger appears in the sickbay. Reginald Barclay (Dwight Schultz), an engineer formerly attached to Picard's Enterprise, informs the doctor that he is not a hologram at all. He is actually Lewis Zimmerman, running an experiment on a space station's holodeck. Radiation has caused the program to go wrong, and scrambled the doctor's memories in the process. He must shut down the program in order to save his own life. And there's only one way to do that: Destroy Voyager!


CHARACTERS

Capt. Janeway: Present, but largely inconsequential. Still, Kate Mulgrew's facial and body language when the doctor orders the computer to "Delete Janeway" are hilarious.

The Doctor: Any episode centered around the holographic doctor gets an instant boost from Robert Picardo's effortlessly assured performance. Picardo is terrific, whether he's reacting with smug satisfaction to the newfound ability to deactivate certain annoying programs (Tom Paris, Harry Kim), or whether he's struggling with pain in his head to determine which of two possible realities is the real one. Thankfully, Brannon Braga's script is at least sensible enough to make the doctor very skeptical of Barclay's claims, with it taking a lot of genuinely persuasive evidence for him to even begin to believe in it.

Kes: It's revealing that in the doctor's hallucination, Kes is his wife - the hallucination's last temptation for him, and its strongest. After all, Kes was the first person on Voyager to actually treat him with respect and friendship. He mentions within the hallucination that he has always found Kes very beautiful, though he does not repeat that to the real Kes. In the tag, Kes seems both amused and flattered at her role in the hallucination... though she asks the doctor not to mention it to Neelix, lest it trigger jealousy.

Neelix: Though only in the episode briefly, he still manages to annoy. When he duels with a Kazon, he dodges a gun-blast and then smirks, "Missed me." I really wanted a follow-up blast to literally wipe the smirk off his face, before wiping away his face for good. Kes' concern about Neelix's jealousy recalls what we saw in Phage, when he became paranoid about Tom Paris. It would seem that Neelix can add "possessive jealousy" to his long list of bad qualities. In fairness, he's probably self-aware enough to realize that Kes is far, far, far, far, far too good for him. A hologram would frankly be an enormous step up for Kes from her current boyfriend.

Barclay: Dwight Schultz reprises his TNG role as engineer Reg Barclay. His performance gives the episode a considerable boost. Not only does he have terrific screen chemistry with Robert Picardo, he is an actor who has the ability to go from funny to threatening very quickly, with little apparent change in behavior on screen. For most of the episode, Schultz and Picardo essentially make a comedy duo, with re-enactments of some bits from Caretaker particularly amusing. But when Barclay gets serious about convincing the doctor that he must either destroy the ship or die, Schultz is really quite sinister, particularly when he grills the doctor on who he would rather be - Dr. Zimmerman, a real person with a real career and a beautiful wife who loves him; or a hologram confined to sickbay and the holodeck, and nothing more?


THOUGHTS

Coming off the tedious mess that was the last episode, Projections is a bit of a relief. It's not a great episode, or even as good an episode as it honestly should be. But it's solid and enjoyable, with a workmanlike script and typically confident direction from Jonathan Frakes.

It's obvious fairly early on that none of what we're seeing is real, and the script tips its hand too quickly by having the medical tricorder unable to detect B'Elanna's life signs. But as a look into the doctor's character, with his fondest wish to be a real person with a family and a career to call his own, it has merit. Plus, a lot of it is fun to watch, particularly when the episode starts replaying bits from Caretaker, with the doctor and Barclay effectively providing color commentary ("Was Mr. Paris always this annoying?" "This is the work of an entity you will come to know as the Caretaker - or Banjo Man").

It isn't all it could be, however, simply because the episode never makes it seems as though there is any other possible outcome. An obvious comparison would be with Buffy the Vampire Slayer's episode, Normal Again. That saw a similar scenario, with the main character being made to think that her life within the television series was a delusion... but it did it in such a way that the "delusion" had credibility, to the point that it was hotly debated within fandom. Here, there's never any question what the truth is, nor is there anything within the episode to give us even a tug of doubt. Nor are there any real layers to the delusion, an attempted "sting" ending aside. As such, Projections plays well on its surface level, and that's fine. But it doesn't do anything more, leaving it an entertaining but shallow piece.


Overall Rating: 6/10.

Previous Episode: Initiations
Next Episode: Elogium

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